Jimi Hendrix 1969-06-20 + All Star Jam 1969-06-22 Northridge, CA (FLAC_SB_3 CD)

This was an upload I had started working on a while back but never got it uploaded.  So I'll rectify that this morning.  This is the 1969-06-20 Jimi Hendrix concert at the multi day concert event held at San Fernando Valley State College (SFVSC).  It is also the following 1969-06-22 All Star Jam at the event with multiple artists including Jimi Hendrix jamming.

The All Star Jam included the following artists and musicians and it encompasses the last two discs in this 3 CD set:
Jimi Hendrix: guitar, vocal
Eric Burdon: vocal
Tracy Nelson: vocal
Buddy Miles: drums
Cornelius "Snooky" Flowers: guitar
Terry Clements: Saxophones
Brad Cambell: bass
Lee Oskar: harmonic

LINEAGE:
Watch Tower silver CD's > EAC > WAV > FLAC > me > TLH > WAV (to test for lossiness) > Audacity (to view waveform, embed metadata/track titles & info, and then to re-encode) > FLAC 8 > TLH (to check for SBE's and create and verify new ffp & md5 files) > you

NOTES: (copy & paste):
1. Jimmy Hendrix: "SOUNDBOARD RECORDING FROM ROLL 5 AND 6 60MIN 2 TRACK AMPEX-NO DOLBY"

2. All Star Jam: "STEREO SOUNDBOARD RECORDING FROM ROLL 14, 15 AND 16 100MIN 2 TRACK AMPEX NO DOLBY.  RECORDED FROM THE MOBILE RECORDING TRACK" (or Mobile Recording Truck?)

DETAILS:
Artist: Jimmy Hendrix + All Star Jam
Date: June 20th, 1969 & June 22nd, 1969
Location: Northridge, California
Venue: Devonshire Downs - San Fernando Valley State College
Title: Newport 1969 Pop Festival
Label: Watch Tower
Source: SB
Format: FLAC
CD's: 3
Artwork: Yes
Size: 837 MB
Length 1: 63.51.64 Jimi Hendrix Set
Length 2: 85:41:01 All Star Jam
Length 3: 149.39.65 Full 3 Discs TRT

SETLIST:
CD 1 (Jimi Hendrix Set 1969-06-20):
101. Stone Free
102. Are You Experienced
103. Villanova Junction
104. Stone Free (Part II)
105. Sunshine Of Your Love
106. Fire
107. Hear My Train A Comin'
108. Red House
109. Foxy Lady
110. Like A Rolling Stone
111. Voodoo Chile (Slight Return)
112. Purple Haze

CD 2 (All Star Jam 1969-06-22):
201. Earth vs. Space
202. The Things (That) I Used To Do
203. blues jam ~ We Gotta Live
204. Feel So Good

CD 3 (All Star Jam 1969-06-22):
301. Train Kept A Rollin'
302. Power Of Soul ~ Earth Blues
303. Hear My Train A Comin'
304. Voodoo Chile (Slight Return)
305. fast jam (medley)

LINK:
(1) 1969-06-20 & 1969-06-22 Northridge, CA (SB/Watch Tower)

The waveform has no clipping but it is brickwalled unfortunately.  That makes it difficult to impossible to remaster.  But thankfully, the sound is excellent in the recordings.

For anyone who isn't sure what a brickwalled recording means, this is a rough description.  The audio has been (likely) clipped and then limited or compressed.  Many times this comes from a taper or label over amplifying a recording and then coming back and removing the clipping by using compression and/or limiting (limiting is used more often I believe in the actual recording) therefore forming a flat top and/or bottom to the waveform.  Instead of having spikes up and down showing the audio peaks and leaving a recording with room to work with the audio there is mostly flat parts in the top and bottom of the waveform with very few (usually quieter moments) peaks that were not clipped.  But this again is an excellent sounding recording thankfully.  Here is a screenshot of a song from the All Stars Jam and you can see, especially in the mid section, where there is no high or low peaks and the waveform is flattened:

I've only heard this recording once since I got it.  And the information given was quiet confusing as well at first.  I was thinking of the Newport Jazz Festival, the same festival Led Zeppelin played at in 1969, and was thinking this was Newport, Connecticut.  But this was the Newport Pop Festival in 1968 and 1969 it was called "Newport '69" and both were in California.  So the information is correct.

I'm very happy with the sound here even though I wish the high frequencies were just a little better.  But the recording doesn't suffer in the big picture and is very enjoyable.  It's excellent, but we cannot work with it to make it any better either.  I imagine the high frequencies were chopped to remove some  tape hiss (not bad at all) after it was over amplified to begin with (causing more hiss when done to tape recordings).  I'd rather have the high frequencies and not a hard limiter or compression done on a recording.  The more I learn about audio the more I appreciate when things are done correctly.

There are some missing parts in the show.  "Hear My Train A Comin'" is almost complete but incomplete unfortunately.  I believe it was the only song in the Hendrix set cut short.  It sounds like a few parts in between songs may be cut too but it is just brief, non musical parts.  But overall, it sounds like most things and songs are complete.  I'd have to look and see what all got played by Hendrix on both days to know for sure but you can do that if you're interested.  If rolls 5 and 6 were 60 minutes (presumably together) then it only makes sense something had to be cut.  Where is roll 7 though?  Would it have the uncut version of the show then?  Question I have and may never know the answer too :-)

You won't be disappointed in the sound if you are a Hendrix fan (or even if you aren't).  The recording itself was obviously a really good one and the label just had to mess with it but they did not ruin it either.

I hope you enjoy the show...

Bootradr

SPECIAL NOTICE TO ALL!!!

THESE DOWNLOADS ARE FOR FREE ONLY!  NEVER BUY OR SELL ANY LEGALLY RECORDED BUT ILLEGAL TO SELL SHOWS LIKE THIS ONE.  THIS IS FOR FANS AND FUTURE FANS WHO WANT TO HEAR THE ARTIST'S MUSIC RAW & LIVE BUT NOT OFFICIALLY AVAILABLE OR RELEASED.

ALWAYS REMEMBER TO SUPPORT THE ARTISTS BY BUYING THEIR OFFICIALLY RELEASED MATERIAL TOO.

KEEP IT FREE, KEEP IT AVAILABLE, AND MOST OF ALL; KEEP IT LEGAL!!!

Jimi Hendrix: 1970-09-04 Berlin, Germany (FLAC_AUD 1st Gen_1 CD)

Today was a great day in rock 'n' roll history.  With Led Zeppelin playing the "Blueberry Hill" show in the Los Angeles area, over on the other side of the Atlantic Ocean, Jimi Hendrix played this excellent show on this day 45 years ago too.

This is an superb audience recording of the Jimi Hendrix show and one I really love.  I have never had the chance to really listen in the sense of trying to review this show though.  And I am listening to the Led Zeppelin Winston Remasters copy of their 1970-09-04 show I just uploaded before this one right now.  But I may make this a night of music and take these FLAC files of the Hendrix show and finally put them to disc tonight.  And of course, that means I will be listening to it really soon too.  I'll make any updates if need be in this post once I listen to the show.

LINEAGE:
Analog 1st Gen cassette > CD-R > EAC > WAV > TLH > FLAC > me > TLH > WAV (to test for lossiness) > Audacity (to view waveform, embed metadata/track titles & info, and then to re-encode) > FLAC 8 > TLH (to check for SBE's and create and verify new ffp & md5 files) > you

DETAILS:
Artist: Jimi Hendrix
Date: September 4th, 1970
Location: Berlin, Germany
Venue: Deutschlandhalle
Title: Super Concert 70
Label: Electric (from the collection of "Electric")
Source: AUD (1st Gen)
Format: FLAC
CD's: 1
Artwork: No
Size: 360 MB
Length: 61:19:61

SETLIST:
01. Straight Ahead
02. Spanish Castle Magic
03. Sunshine Of Your Love
04. Hey Baby (Land Of The New Rising Sun)
05. Message To Love
06. Machine Gun
07. Purple Haze
08. Red House
09. Foxy Lady
10. Ezy Rider
11. Hey Joe
12. Power Of Soul
13. Lover Man

LIN K:
(1) 1970-09-04 Berlin, Germany (AUD 1st Gen)

One thing I like in this show is the fact the track "Hey Baby (Land of the New Rising Sun)" is in this show.  There is something about the music in this song that reaches deep inside and takes me back to the days of being a teenager.  I can't explain it, I just feel it!

From listening to this show via the PC Bose speakers and from looking at the waveform, this is really an superb recording I can tell.  The waveform shows no audio clipping and the sound is very well balanced in the tracks I listened to a little while ago.

I feel bad since I've had this show for some time now but I have never given it the real test and cranked it up.  There are a lot of great shows I have still not heard yet and this is the case with too.  Sometimes, you just don't have or make the time to listen because of everything from responsibilities to keeping up with other shows you are downloading (or uploading) can cause you to put a great show off to the side and eventually forget about it for a while.  There are a million reasons we all do this at times.  But most of us also always come around and finally enjoy the music we got too.

Rather than ramble on here about stuff not even related to this show, I've paused "Blueberry Hill" and I'm examining this recording now.  The mix sounds great and there is little to no distortion either.  Jimi's guitar is right up front and his voice is too.  A lot of the time it sounds like a soundboard recording rather than an audience recording.

I was reading a little on this show and it was stated the people in the crowd weren't really getting into Jimi's music at this show.  And it kind of sounds this way between songs where you don't hear the screaming and hollering like you do in many of his recordings.  The crowd is clapping but it really seems quiet for a Hendrix show too.  But that's to our advantage today I'd have to say.

In the recording it sounds as if there may be a few points between songs the taper stopped taping.  I'm not sure and won't truly be until I listen to this show in the living room in a little while.  Jimi also seems to be going from one song to another with no talking in between on a lot of the songs.  Maybe the crowd wasn't keeping him interested and he just decided to do this rather than make comments and statements?  Keep in mind though that I am basing this on checking out certain tracks and the transitions between songs and not from having heard the whole show yet (or recently).  I may be wrongly stating this?

Thanks to "susep73" over on Crosstown Torrents for posting the links to the two photos (below) from this concert being shared here.  And thanks to my buddy Dave for telling me about them!

I'm going to get this one uploaded so I can do it before the 5th of September hits and it's no longer this show's birthday anymore.  I can say this with confidence in closing.  If you are a Jimi Hendrix fan, you'll enjoy this recording.  I can't wait to hear it myself in about 45 minutes!

I hope you enjoy the show...
 
Bootradr

SPECIAL NOTICE TO ALL!!!

THESE DOWNLOADS ARE FOR FREE ONLY!  NEVER BUY OR SELL ANY LEGALLY RECORDED BUT ILLEGAL TO SELL SHOWS LIKE THIS ONE.  THIS IS FOR FANS AND FUTURE FANS WHO WANT TO HEAR THE ARTIST'S MUSIC RAW & LIVE BUT NOT OFFICIALLY AVAILABLE OR RELEASED.

ALWAYS REMEMBER TO SUPPORT THE ARTISTS BY BUYING THEIR OFFICIALLY RELEASED MATERIAL TOO.

KEEP IT FREE, KEEP IT AVAILABLE, AND MOST OF ALL; KEEP IT LEGAL!!!

Jimi Hendrix: 1969-01-09 Stockholm, Sweden (FLAC_SB_Both Sets_2 CD)

This is an excellent soundboard of the Jimi Hendrix sets in Stockholm, Sweden during the 1969-01-09 gigs he played.  There are a lot of great sounding Jimi Hendrix shows out there, but at the same time there a lot of lesser recordings that don't sound as nice.  After all, we're talking about 1969 technology.  Be it good sounding or poor, Jimi Hendrix shows are always an enjoying experience to me!  And this is an excellent sounding one from the soundboard too so you should enjoy it.

LINEAGE:
Silver CD's > Foobar2000 > FLAC > me > TLH > WAV (to test for lossiness) > Audacity (to view waveform, embed metadata/track titles & info, and then to re-encode) > FLAC 8 > TLH (to check for SBE's and create and verify ffp & md5 files) > you

DETAILS:
Artist: Jimi Hendrix
Date: January 9th, 1969
Location: Stockholm, Sweden
Venue: Konserthuest
Title: Caught In The Nagoya
Label: Purple Haze Records
Source: SB (Master/Swedish Radio Reels)
Format: FLAC
CD's: 2
Artwork: Yes (full artwork in download)
Size: 858 MB
Length: 122:36:61

SETLIST:
Early Show
101. intro
102. Killing Floor
103. Spanish Castle Magic
104. Fire
105. Hey Joe
106. Voodoo Chile (Slight Return)
107. Red House
108. Sunshine Of Your Love

CD 2:
Late Show
201. intro
202. I Don't Live Today
203. Spanish Castle Magic
204. Hey Joe
205. Voodoo Chile
206. Sunshine Of your Love
207. Red House
208. Fire
209. Purple Haze
210. Star Spangled Banner

LINK:
(1) 1969-01-09 Stockholm, Sweden (SB/Master/Purple Haze Records)

A very special thanks goes out to my buddy Dave for sharing this with me.  He is my source for Jimi Hendrix updates, news, new release notices, and just overall anything Jimi Hendrix.

I'd had this one almost ready to upload earlier this year and everything came to a crawl (or stop) for a while as I ran out of time to upload anything.  But now that I am able again, I definitely wanted to get this excellent show uploaded as soon as possible,

It's been a few months since I've heard this show.  But one thing I remember and the original sharing party made mention of is this.  It seems Jimi is a little slow starting out the first set but he picks up in the second set.  In the second set he's much more warmed up and on fire the whole show I guess.  The person sharing this source called it a "bi-polar night" for Hendrix.  And the second show not only is played a little better but it sounds audibly better too.  Maybe it's just in my head?  You be the judge.

One of these two sets was recorded by Swedish television too by the way.  I'm not sure which, and I think I have some of the video from this too?  Since I now have my drives unplugged I cannot confirm that.  Until I can back them up with the new drives I had to replace (thankfully under warranty) I'm trying not to keep them plugged in any more than necessary until everything is backed up.

There is a full set of artwork with a booklet enclosed in the download.  The artwork has some write-up on a few pages and I haven't read it just yet.  So it'll probably have some information I'm failing to mention here.

The audio falls just a little short of perfect but it is not by any means something to worry about.  It really is an excellent show and the sound is excellent as I've already stated.  It is not 100% without flaw.  There are some small amounts of distortion in the shows.  But the waveform has no clipping of the audio so it's not a bad recording or EQ job causing the slight distortion.  And hey, that's Jimi Hendrix's style of playing anyhow!  Jimi Hendrix even mentions to the crowd "It's gonna be a little bit loud. These are English amps and we're in Sweden and the electricity is not working out with these fuzz tones..." before "Spanish Castle Magic" in the second set.  If you're a Hendrix fan you will enjoy the show!

Coming in at a little over two hours long with both sets, it's a great 2 CD set to throw on and jam out to.  If it weren't so early now I'd be doing that myself instead of listening through the PC speakers.

I hope you enjoy the show...

Bootradr

SPECIAL NOTICE TO ALL!!

THESE DOWNLOADS ARE FOR FREE ONLY!  NEVER BUY OR SELL ANY LEGALLY RECORDED BUT ILLEGAL TO SELL SHOWS LIKE THIS ONE.  THIS IS FOR FANS AND FUTURE FANS WHO WANT TO HEAR THE ARTIST'S MUSIC RAW & LIVE BUT NOT OFFICIALLY AVAILABLE OR RELEASED.

ALWAYS REMEMBER TO SUPPORT THE ARTISTS BY BUYING THEIR OFFICIALLY RELEASED MATERIAL TOO.

KEEP IT FREE, KEEP IT AVAILABLE, AND MOST OF ALL; KEEP IT LEGAL!!!

Jimi Hendrix: 1968-03-19 Ottawa, Ontario, Canada (FLAC_SB 1st Gen_1 CD)

Here is an superb recording of the second set of Jimi Hendrix's Ottawa show that occurred 47 years ago today.  I had only had an mp3 copy of this show, and not this upgrade either, for the longest time and now I finally have a copy (as of today) that I can actually burn to disc!

A very special thanks goes to my buddy Dave for this one!  He had it and sent it over to me earlier today.  Plus, he helped me clear up some Hendrix questions I've had as well as some  matters (even related to this CD) on what was officially released and what was not.

There were three officially released tracks (not in this copy) from the first set Hendrix played on this same day in some earlier copies of the show that had circulated like the "Ottawa 1968" second generation copy I had an mp3 of (and has since been deleted finally).  And this copy is also an upgrade to many other copies circulating still.  It is a first generation (as opposed to the more common second generation) copy!

LINEAGE:
None given other than known facts of master reel-to-reel > 1st gen copy > me > TLH > WAV > Audacity (to view waveform, embed metadata/track titles & info, and then to re-encode) > FLAC 8 > TLH (to create and verify new ffp & md5 files) > you

DETAILS:
Artist: Jimi Hendrix
Date: March 19th, 1968
Location: Ottawa, Ontario, Canada
Venue: Capitol Theatre
Title: Ottawa 19.03.69 - 1st Gen Tape
Label: Free Trade Only (FTO)
Source: SB (1st Gen)
Format: FLAC
CD's: 1
Artwork: Yes
Size: 373 MB
Length: 61:21:10

SETLIST:
01. Killing Floor
02. Tax Free
03. Fire
04. Rd house
05. Foxy Lady
06. Hey Joe
07. Spanish Castle Magic
08. Purple Haze
09. Wild Thing

LINK:
(1) 1968-03-19 Ottawa, Ontario, Canada (SB 1st Gen/FTO_

Hendrix shows can be very confusing and so can many of the labels they appear on.  But this first generation copy is not an official release and it sounds excellent.  I'm trying to listen as I prepare this post and I'm loving it!

There are some issues that are common with many Hendrix (and all artists for that matter) shows out there.  There is some distortion in the low frequencies as the show starts out but the show gets remixed by the sound man (I assume) and cleans up very nicely.  Hendrix even stops for a second between the first two songs and mentions they're having some equipment problems.  And after that, wow!  The sound improves a lot.

One thing I like too is that there is some hiss indicating the high frequencies have not been cut or had any compression used in this recording.  The waveform looks perfect too with no audio clipping.  In order to remove hiss, many people will cut the high frequencies out and that does not appear to have happened here at all.  The hiss is not bad either and is really only heard in quieter moments.

The last track, "Wild Thing", is cut short.  But earlier versions of the show apparently didn't have any of the song on them from what I was able to tell.  Hendrix's guitar is up front too and I love that in rock guitarist oriented recordings.  And the bass is clean and very nice sounding as well.  There is an excellent mix in this recording and as I already stated, I love it!

I better hurry and post this show if I want it o be uploaded on its 47th birthday today.  I know you'll enjoy it if you are a Hendrix fan and do not have it (or maybe if you do have "it" but not this copy) :-)

Well, shoot!  It looks like we're 47 years and a day and the upload is finally finishing.  Oh well, I tried!

I hope you enjoy the show...
 
Bootradr

SPECIAL NOTICE TO ALL!!!

THESE DOWNLOADS ARE FOR FREE ONLY!  NEVER BUY OR SELL ANY LEGALLY RECORDED BUT ILLEGAL TO SELL SHOWS LIKE THIS ONE.  THIS IS FOR FANS AND FUTURE FANS WHO WANT TO HEAR THE ARTIST'S MUSIC RAW & LIVE BUT NOT OFFICIALLY AVAILABLE OR RELEASED.

ALWAYS REMEMBER TO SUPPORT THE ARTISTS BY BUYING THEIR OFFICIALLY RELEASED MATERIAL TOO.

KEEP IT FREE, KEEP IT AVAILABLE, AND MOST OF ALL; KEEP IT LEGAL!!!

Jimi Hendrix: 1970-07-30 Maui, HI (FLAC_SB & AUD Mix_Both Sets_2 CD)

This CD set has been requested by a friend, and I had planned on uploading it a while ago too, so I am doing it today.  This is an excellent soundboard recording that uses an excellent master audience recording to do a matrix of the two sources as well as to patch any missing soundboard parts of the show.

The great thing about this CD set, other than the great work done creating it and the music, is both shows are in it.  Jimi played an early and late show this day (as he usually did) and this is both concerts.  If you've seen the Maui 1970-07-30 DVD, it is from the second set here.

At this point, and really pending any Hendrix family official release some day if that ever occurs, this is the best source we have or likely will ever have if the family never releases the shows.

LINEAGE:
Bob Terry Hi-Fi VHS SB source and Bob Terry Denon HD6 /100 SB source patched with master AUD tape > Nakamichi Dragon > CD-R > me > TLH > WAV (to test for lossiness) > Audacity (to view waveform, embed metadata/track titles & info, and then to re-encode) > FLAC 8 > TLH (to check for SBE's and create and verify new ffp & md5 files) > you

DETAILS:
Artist: Jimi Hendrix
Date: July 30th, 1970
Location: Maui, Hawaii
Venue: Haleakala Volcano Center
Event: Rainbow Bridge Vibratory Color/Sound Experiment
Title: Rainbow Bridge Vibratory Color/Sound Mix
Label: None
Source: SB/AUD (2 SB Sources & AUD Master Mix)
Format: FLAC
CD's: 2
Artwork: No
Size: 641 MB
Length: 109:50:59

SETLIST:
CD 1 (SET 1):
101. Chuck Wein intro
102. Spanish Castle Magic
103. Lover Man
104. Hey Baby
105. In From The Storm
106. Message To Love
107. Foxy Lady
108. Hear My Train A Comin'
109. Voodoo Chile (Slight Return)
110. Mitch Mitchell (drum solo)*
111. Fire
112. Purple Haze

CD 2 (SET 2):
201. Dolly Dagger*
202. Villanova Junction
203. Ezy Rider
204. Red House
205. Freedom
206. Beginnings
207. Straight Ahead
208. Land Of The New Rising Sun*
209. Midnight Lightning*
210. Mitch Mitchell (drum solo)*
211. Stone Free*

* Soundboard Only

LINK:
(1) 1970-07-30 Maui, HI (SB/AUD Master Matrix/Both Sets)

This was a joint project from people supplying the source material used as well as doing the work and assisting in other ways too.  It's great when fans come together and build quality projects like this one and I'd personally like to thank them all.

Rather than spend a lot of time breaking down the thank you's and talking more about the show itself, I'm doing a copy and paste of the information related to those responsible for making and sharing this show with us.  And to learn more about the show itself, just have a listen and that will teach you more than I can ever say or teach you :-)

Also, be sure to get the DVD I've uploaded here that is a masterpeice created by a fan for fans.  Just use the search box in the top left of the website and enter "1970-08-31" and scroll through the entries it pulls up (sometimes it pulls up non related entries and I cannot figure out why) or just click on the "Jimi Hendrix" link on the right side of the page as you scroll down where the bands are listed in order to see all Jimi Hendrix recordings I've uploaded so far.  And there are a ton left to do.  I've just not gotten around to them yet.  There should be an anniversary of a Hendrix show or two coming up really soon anyhow!

THANKS GOES TO (copy & pate):
"Soundboard
---------------------------------------------------------------------------------- 
Bob Terry Hi-Fi VHS Soundboard Source And Bob Terry Denon HD6 /100 Soundboard Source Patched With Audience Master Tape

Thanks to MP and zombywoof57 for the tapes.
Thanks To Karsten for his work patching it all together.

Audience
----------------------------------------------------------------------------------
Master Tape > Nakamichi Dragon > CDR

Here we have the complete 1st show and a incomplete 2nd show. Audience Master.
----------------------------------------------------------------------------------
---Thank you Hawkfan369 for distributing both the AUD and SBD sources.
---Thank you to everybody at Crosstowntorrents.
---Thank you Germain for your advice, encouragement, guidance and seeding.

Matrix by dusborne

11-04-2013"
----------------------------------------------------------------------------------

I hope you enjoy this show..I sure have an am again as I make this upload...

Bootradr

SPECIAL NOTICE TO ALL!!!

THESE DOWNLOADS ARE FOR FREE ONLY!  NEVER BUY OR SELL ANY LEGALLY RECORDED BUT ILLEGAL TO SELL SHOWS LIKE THIS ONE.  THIS IS FOR FANS AND FUTURE FANS WHO WANT TO HEAR THE ARTIST'S MUSIC RAW & LIVE BUT NOT OFFICIALLY AVAILABLE OR RELEASED.

ALWAYS REMEMBER TO SUPPORT THE ARTISTS BY BUYING THEIR OFFICIALLY RELEASED MATERIAL TOO.

KEEP IT FREE, KEEP IT AVAILABLE, AND MOST OF ALL; KEEP IT LEGAL!!!

Jimi Hendrix: 1970-07-30 Maui, HI (Pro Shot DVD_Mike Parker Project)

This is my favorite Jimi Hendrix video.  Had the creators of the Rainbow Bridge documentary and interviews video had the foresight to make something like this, it would have been a stellar release officially.  But they didn't.  This blows the other release away.

I had no information on this video other than what was in my memory and on the back of the artwork.  I somehow, and likely on a crashed hard drive, lost the original text file with the information on this project.  But I found what I was looking for information wise, the majority of the important information from the text file, and it is copied and pasted at the end of this posting.

For the lineage and details on this recording and project by Mike Parker, you can also see the artwork below.  I do know this project was meticulously created by Parker and he spent a very long time putting it together.  Read the bottom of the artwork's back cover for some additional interesting details.

LINEAGE:
Read this post for lineage available!  Basic information is: SB 2nd Gen (audio) with multiple video sources synchronized project by Mike Parker >  me > TLH (to create and verify a new md5 file) > you

SHOW DETAILS:
Artist: Jimi Hendrix
Date: July 30th, 1970
Location: Maui, Hawaii
Venue: Haleakala Crater (aka Haleakala Volcano Center)
Label: Mike Parker
Title: Hendrix At Maui
Total Running Time: 1:21:06

DVD ATTRIBUTES:
Menu: Yes
Chapters: Yes
Source: See bottom of post! (2nd Gen SB & multiple video sources)
Artwork: Yes
DVD's: 1
DVD Size: 3.74 GB

VIDEO ATTRIBUTES:
Format: NTSC
Color/B&W: Color
Type: Pro Shot
Resolution: 720 x 480
Aspect: 4:3
Frame Rate: 29.97 fps
Bitrate: 5000 kbps
Codec: MPEG-2

AUDIO ATTRIBUTES:
Sample Rate: 48 kHz
Bitrate: 1536 kbps
Codec: LPCM
Channels: 2
Streams: 1

SONGS/CHAPTERS::
01. "Assassin" intro
02. Padi Gap
03. Spanish Castle Magic
04. Lover Man
05. Hey Baby (New Rising Sun)
06. In From The Storm
07. Message To Love
08. Foxy Lady
09. Hear My Train A Comin'
10. Voodoo Chile (Slight Return)
11. Fire
12. Purple Haze
13. Dolly Dagger
14. Villanove Junction
15. Ezy Rider
16. Jimi raps 1
17. Jimi raps 2
18. Hey Baby (New Rising Sun)

LINKS:
(1) 1970-07-30 Maui, HI (Pro Shot DVD)
(2) 1970-07-30 Maui, HI (Pro Shot DVD)
(3) 1970-07-30 Maui, HI (Pro Shot DVD)
(4) 1970-07-30 Maui, HI (Pro Shot DVD)

There was a first and second show this day in Hawaii.  This was the common practice of the day with bands having an early and late show (how excellent would that be).  I do not know if there is any mixing of the two shows in the video?  I do know there is video with bright sunlight, some more cloudy looking, and some with the sun setting (as the video ends in fact) too.  But there is no nighttime video on the DVD so I am guessing this was the early or first show.

Rather than surmise as I was doing in the above paragraph, I went ahead and hooked up the drive with the Hendrix recordings of both shows and confirmed things.  This is definitely the first show!  Interestingly, the show doesn't end like it does on the DVD.  On the DVD it looks as if there is a reprise of "Hey Baby (New Rising Sun)."  But in all honesty, the first concert of the day ends with "Ezy Rider" and everything from chapters 16 through 18 are additions to the project.  I'd thought Hendrix ended the show the way the DVD looks like it ends.  That would have been a very cool ending and I'm glad that Mike Parker ended it the way he did.

OK, I found the original information on T.U.B.E.'s site after a little internet research.  I've not going to re-download the show to get the text file.  Especially since he copied and pasted the important pasts of it on his site like I'm doing here now :-)

TAKEN FROM ORIGINAL TEXT FILE (Copy & Pasted):
"This an amazing document of the Rainbow Bridge Concert, made by Mike Parker, with almost all of the available concert footage plus some great filler footage, all synched to the soundboard audio. A true piece of art!

Sourcing info, to give credit where credit is due:

I made this. It is the 25 minutes of Rainbow Bridge Jimi Hendrix footage, 20 minutes of outtakes, and the Strange Day On Maui footage (about 10 minutes), all re-synced to the songboard audio. The songs are full-length, although the film footage is not. The gaps are filled in with Maui footage, 60`s stuff, surfing footage, and Strange Day On Maui footage.

The audio is the overdubbed-drums source, the only one available, so the drums are out of sync a bit. It's hardly noticeable though. Hope you all enjoy it.

Mike Parker

About this project: Originally all I was going to do was sync the 20 minutes of silent outtake footage (end of Hear My Train>Voodoo Child>beginning of Ezy Ryder). But after that was done, I thought, well, why not continue with the movie footage too? The audio on RB was pretty poor. Then there was the Strange Day On Maui footage to deal with. Univibes magazine had an issue about silent Jimi footage that gave me a good reference guide to what was being played during all that double-image footage, so that was a huge help. Ezy Ryder & Message To Love footage was just too dark or had too much double imaging to be able to really sync it up. There's enough there to get an idea of that's going on though.

I wanted to keep the songs full-length, so began to think about what to use for filling in the gaps. There was some nice footage in RB of the people walking to the concert, some skinny-dippers, volcano footage, and film of Jimi's girlfriend Pat Hartley wandering around Maui. Plus lots of great surfing footage. Love that surfboard-cam shot!

So I used all the RB footage I could, then went looking for footage at a video store. Hawaiian Paradise was a cheesy travelog video, has some nice volcano footage with beautiful sunrises, and that great 1940's Maui footage. Endless Summer has one chapter on Maui, that footage is from 1964. check out that spill where the cameraman gets bonked in the head (& the surfing babes). Easy Rider, well that's all the actual motorcycle riding footage from the movie. The 60's protest/Vietnam footage fit perfectly in the large gap during Hear My Train A'Coming. I also used all the non-Jimi footage from Strange Day On Maui as a tribute to Duff Hendrickson, who filmed the actual footage.

this project was made on an eMac, using Final Cut Express. My very first video project. I think it turned out well. By the way I am a long-time Jimi Hendrix collector, if anone out there has any unreleases/uncirculated film footage, recordings, or photos gathering dust, I would love to hear from you. Doesn't matter if the audio is poor or if the film/photos are grainy, it's all worth checking out.
Any Jimi is good Jimi. Same goes for John Coltrane audio, ect. You can contact me at jimiclones (at) yahoo (dot) com."

Whew!  What should have taken an hour or 90 minutes tops has taken a few hours already!  I should be use to that by now though.  I'm not going to half way do something if I can avoid it and if it takes longer to make it more accurate, helpful, and complete; then I'm happy to do it (and happier to get it done).

So now that we all know what the story is here, and for the most part what we want to know, it's time to upload this gem so you can download and enjoy it too!

UPDATE (2015-02-12:
I'd originally stated this concert was from the first set out of two on this day in 1970.  But it actually is a mix of both sets now that I notice the setlist and songs in them as I prepare the upload of the SB/AUD group matrix.patch project I am uploading.  So I just wanted to make a fast update over here to clarify this!

I hope you enjoy the concert...

Bootradr

SPECIAL NOTICE TO ALL!!!

THESE DOWNLOADS ARE FOR FREE ONLY!  NEVER BUY OR SELL ANY LEGALLY RECORDED BUT ILLEGAL TO SELL SHOWS LIKE THIS ONE.  THIS IS FOR FANS AND FUTURE FANS WHO WANT TO HEAR THE ARTIST'S MUSIC RAW & LIVE BUT NOT OFFICIALLY AVAILABLE OR RELEASED.

ALWAYS REMEMBER TO SUPPORT THE ARTISTS BY BUYING THEIR OFFICIALLY RELEASED MATERIAL TOO.

KEEP IT FREE, KEEP IT AVAILABLE, AND MOST OF ALL; KEEP IT LEGAL!!!

Jimi Hendrix: "Black Gold" Volumes 1 - 3 (FLAC_SB/Studio_5 CD)

This is an excellent 5 CD Jimi Hendrix studio outtakes and rehearsals set of unreleased material broken up into three volumes.  But this upload I am making is all three volumes (5 CD's) and is titled "Black Gold".

I would have left the file set intact and I would have just uploaded this one "as is" because the work done to create this file set originally was done right. The tracks were even embedded with metadata showing the song titles and other pertinent information.  But there was one problem unfortunately.  There were sector boundary errors on each disc and I had to fix those.  And once an edit or repair like that is made, all of the other work (such as embedding the metadata, creating ffp and md5 files, etc) has to be redone because the information is stripped and changed up and the checksums will not match up to the original file set anymore once the repairs are made.  What a bummer!  It sure would have saved me a lot of time not having to do all of that stuff. 

And what a shame it is for the person who originally did all  of thi work too.  They must have spent a lot of time preparing the files.  I'm not sure why they didn't catch the sector boundary errors (SBE's) that rendered their extra work and effort useless.  I've made mistakes and forgotten steps just as everyone else who takes time to do things right has too.  And I imagine with the work the person did, they knew better too and likely just overlooked it by accident.  But I still thank them for their attempt and hard work!  Besides, the most important part of the file set (aka the lossless music files) were all there and without those nothing would have been possible!  So kudos and thank you to the party that made these available for fans like us :-)

LINEAGE:
Midnight Beat silver CD's > CD-R > ? > CD-R (trade) > EAC pb0.95 (secure mode, read offset) > FLAC > me > WAV (to test for lossiness and align sectors on boundaries) > Audacity (to view waveform, embed metadata/track titles & info into files, and then to re-encode) > FLAC 8 > TLH (to double check for SBE's and create and verify new ffp & md5 files) > you

DETAILS:
Artist: Jimi Hendrix
Date: Various
Location: Various
Venue: Various
Title: Black Gold
Label: Midnight Beat
Source: SB/Studio
Format: FLAC
CD's: 5
Artwork: Yes
Size: 1.83 GB
Length: 351:08:10

SETLIST:
CD 1:
Volume 1 Disc 1:
101. I Was Made To Love Her  Ain't Too Proud To Beg (Part 1 & 2)
102. Voodoo Child (Slight Return) [The Session takes 1-15]
103. Long Hot Summer Night (Part 1 & 2)
104. 1983...
105. Moon Turn The Tides...
106. Angel
107. Cherokee Mist
108. Getting My Heart Back Together Again
109. Voodoo Chile
110. Gypsy Eyes
112 Gypsy Eyes

CD 2:
Volume 1 Disc 2
201. South Saturn Delta
202. Rainy Day, Dream Away [overdub session take 1]
203. Rainy Day, Dream Away [take 2]
204. Rainy Day, Dream Away [take 3]
205. Third Stone From The Sun, Villanova Junction Blues
206. Jam Back At The House
207. Bleeding Heart
208. Pride Of Man [take 1]
209. Pride Of Man [take 2]
210. Midnight, Valleys Of Neptune Arising  [takes 1-7]
211. Sending My Heart To Linda [takes 1-2]

CD 3:
Volume 2 Disc 1:
301. Had To Cry Today
302. Paper Airplanes [rehearsals]
303. Blue Suede Shoes [jam]
304. Izabella [overdub session take 2]
305. Izabella
306. Honey Bed [takes 1-5]

CD 4:
Volume 2 Disc 2:
401: Mannish Boy [rehearsals takes 1-7]
402: Closer To The Truth [Room Full Of Mirrors]

CD 5:
Volume 3:
501. Voodoo Chile [Blues Session takes 1-5]
502. Instrumental Jam
503. 3 Little Bears
504. Gypsy Eyes
505. 1983...
506. Untitled Instrumental

LINK:
(1) Black Gold Volumes 1-3 (Studio)
(2) Black Gold Volumes 1-3 (Studio)
(3) Black Gold Volumes 1-3 (Studio)

The artwork for this show has a 10 page booklet reportedly.  But it wasn't in the file set I have.  In this upload, just the the artwork for each volume is included.  That is pretty much the front and back covers.  I'm just adding the Volume One art to the sample image in this post and the other two volumes are in the download.  If I had the 10 page booklet from the 5 CD set I'd add it too.  But I don't.

This is a very enjoyable set of CD's to listen to and I have been listening the past 3 hours to them today and still am only a little over halfway done.

I hope you enjoy the unreleased Hendrix studio recordings...

Bootradr

SPECIAL NOTICE TO ALL!!

THESE DOWNLOADS ARE FOR FREE ONLY!  NEVER BUY OR SELL ANY LEGALLY RECORDED BUT ILLEGAL TO SELL SHOWS LIKE THIS ONE.  THIS IS FOR FANS AND FUTURE FANS WHO WANT TO HEAR THE ARTIST'S MUSIC RAW & LIVE BUT NOT OFFICIALLY AVAILABLE OR RELEASED.

ALWAYS REMEMBER TO SUPPORT THE ARTISTS BY BUYING THEIR OFFICIALLY RELEASED MATERIAL TOO.

KEEP IT FREE, KEEP IT AVAILABLE, AND MOST OF ALL; KEEP IT LEGAL!!!

Jimmy Hendrix: Raw Blues (1968-1970) (FLAC_SB/Studio_2 CD)

This is an awesome 2 CD set of Hendrix and band in the studio making tracks that would many years later be used for consideration in  a release of an album, "Blues", long after Hendrix was dead

I love this one!  Studio recorded songs and jams, some lasting about 30 minutes, but never released is what I like!  And each disc is almost a full disc too.  You cannot beat it.  I don't know much more about this 2 CD set other than what little info was in a text file.  I got it from a defunct Spanish (language) site that I could not read.  Even translating it made no sense in English.  Plus it looked like there was not really any additional information on the recordings anyhow being shared on the site.

LINEAGE:
No lineage given > FLAC > me > TLH > WAV (to test for lossiness) > Audacity (to view waveform, embed metadata/track titles & info, and then to re-encode) > FLAC 8 > TLH (to check for SBE's and create and verify new ffp & md5 files) > you

DETAILS:
Artist: Jimi Hendrix
Date: 1968 to 1970
Location: Unknown
Venue: Unknown studio(s)
Title: Raw Blues
Label: None
Source: SB/Studio
Format: FLAC
CD's: 2
Artwork: Yes
Size: 893 MB
Length: 142:30:73

SETLIST:
CD 1:
101. Red House
102. Born Under A Bad Sign
103. Once I Had A Woman
104. Easy Blues
105. Mannish Boy
106. Villanova Junction ~ Jam ~ Country Blues ~ Jam (long version)
107. Georgia Blues

CD 2:
201. Jam 292
202. Voodoo Chile Blues
203. Strato Strut
204. Country Blues ~ Astro Man
205. Things I Used To Do
206. Bleeding Heart
207. Hear My Train A Comin'
208. Belly Button Window
209. It’s Too Bad
210. Villanova Junction ~ Jam ~ Country Blues ~ Jam (edited version)

LINK:
(1) 1967-1970 "Raw Blues" (Studio/SB)

This really is one of the best Hendrix recordings I have heard in a long time.  The sounds is excellent, but even better is the musical jamming.  This is like a concert in the studio really.  I do not detect any studio overdubs or things like that.  This sounds like the band just recording their jam sessions in the studio.  I cannot say for sure this is the case, but I think that it is.

For those who may not know, "Blues" was a release in 1994 of Hendrix songs spanning between 1966 and 1970.  According to Wikipedia, there were 11 tracks on it and six were never released before.  This unreleased recording being shared here today contains tracks and takes  that were being considered for the official 1994 "Blues" release but were not used.

I hope you enjoy the recordings...

Bootradr

 SPECIAL NOTICE TO ALL!!

THESE DOWNLOADS ARE FOR FREE ONLY!  NEVER BUY OR SELL ANY LEGALLY RECORDED BUT ILLEGAL TO SELL SHOWS LIKE THIS ONE.  THIS IS FOR FANS AND FUTURE FANS WHO WANT TO HEAR THE ARTIST'S MUSIC RAW & LIVE BUT NOT OFFICIALLY AVAILABLE OR RELEASED.

ALWAYS REMEMBER TO SUPPORT THE ARTISTS BY BUYING THEIR OFFICIALLY RELEASED MATERIAL TOO.

KEEP IT FREE, KEEP IT AVAILABLE, AND MOST OF ALL; KEEP IT LEGAL!!!

Jimi Hendrix: In The Studio Volumes 1 - 10 (FLAC_SB/Studio_10 CD)

I finally got this 10 CD set yesterday after seeing it over on G101 again.  I'd put off getting it because a few of the CD's I had from it tested lossy.  And sure enough, they still test lossy in the whole 10 set.  But some are lossless too.  If these are in both forms, then Reclamation, the boot label, surely is not basing their material off of the master recordings (made before lossy audio existed).

This is a great set to listen to.  I'm going to copy and paste the information here today (in italics) to save time.  I've already got the file set uploading this morning because I forgot to start it overnight so it would be ready when I woke up!. 

I did do the tedious naming and embedding of the meta data (song titles, tracks, etc info) into each of the 110 FLAC files last night.  For those not sure what this means, doing this not only shows details if you look at the file's embedded metadata with programs that show the information (like Audacity and many, many others), but it also displays on the screen of modern day players that show the text information streaming.or visible on the screen (as in a home theater setup or car CD player in just two examples).  While I don't recommend converting any music to mp3 lossy audio unless it is solely to put on a player that is portable (and even then I have my reservations), the metadata transfers as you re-encode the file to the other audio formats and still displays as long as someone doesn't erase it or totally reconstruct a file in the wrong manner.  Simple re-encoding to another format usually doesn't strip this data.  If you re-encode with Trader's Little;e Helper (TLH), be sure to check the box label "keep foreign metadata" if you see it.  I believe most simple re-encoding or converting format changes within TLH automatically keep this data.  But keep an eye out for the text I mentioned if you reach an area in the program with it and you don't want to strip the files of it.  I think it is a helpful and great tool to have especially when you have a lot of music (like this upload) that you may not know the information on such as a song title.

LINEAGE:
No lineage given > me > TLH > WAV (to test for lossiness) > Audacity (to view waveform, embed metadata/track titles & info, and then to re-encode) > FLAC 8 > TLH (to check for SBE's and create and verify new ffp & md5 files) > you

DETAILS:
Artist: Jimi Hendrix
Date: Various
Location: Various
Title: Jimi Hendrix - In The Studio Volumes 1 - 10
Label: Reclamation
Source: SB
Format: FLAC
CD's: 10
Artwork: Yes (full high resolution artwork & booklet scans in download)
Size: 3.64 GB
Length: 650:07:50 (almost 11 hours of studio audio!)

SETLIST (copy & paste):
CD 1:
1. Wait Until Tomorrow (Hendrix) 3:26
2. Spanish Castle Magic (Hendrix) 2:42
3. Golden Rose (One Rainy Wish) (Hendrix) 3:55
4. Ain’t No Telling #1 (Hendrix) 1:52
5. South Saturn Delta (Hendrix) 4:52
6. Little One #1 (Hendrix) 1:52
7. Little One #2 (Hendrix) 3:34
8. Castles Made Of Sand (Hendrix) 2:48
9. Ain’t No Telling #2 (Hendrix) 1:51
10. She’s So Fine (Redding) (2:38)
11. Up From The Skies (Hendrix) 2:56
12. Bold As Love (Hendrix) 3:27
13. Little Miss Lover (Hendrix) 2:14
14. Waterfall (May This Be Love) (Hendrix) 3:11
15. Have You Ever Heard (Hendrix) 3:45
16. Dream (Hendrix) 2:06
17. Dance (Hendrix) 1:57

CD 2:
1. Valleys Of Neptune (Hendrix) 5:37
2. Lover Man (Hendrix) 4:12
3. Machine Gun (Hendrix) 12:51
4. Trying To Be (Stepping Stone)/Earth Blues (Hendrix) 7:16
5. Stepping Stone (Hendrix) 4:15
6. Untitled Guitar Improvisation (Hendrix) 5:22
7. Keep On Grooving (Midnight Lightning) (Hendrix) 11:57
8. Come Down Hard On Me Baby (Hendrix) 3:31
9. Drifters Escape (Hendrix) 3:07
10. Belly Button Window (Hendrix) 5:29
11. Bolero (Hendrix) 5:48

CD 3:
1. Drifting (try out) (Hendrix) 3:52
2. Keep On Groovin’ Drifting (try out) (Hendrix) 0:57
3. Midnight Lightnin’ (try out) (Hendrix) 0:24
4. Freedom (alternate take) (Hendrix) 4:04
5. Cherokee Mist/In From The Storm (Hendrix) 6:31
6. Valleys Of Neptune (instrumental) (Hendrix) 4:37
7. Lil Dog Of Mine/Heaven Has No Sorrow (session) (Hendrix)12:50
8. Valleys Of Neptune (session) (Hendrix) 21:21
9. Improvisation/Drifting(try Out) (Hendrix) 3:34
10. Had To Cry Today (Hendrix)1:27
11. Angel (intro instrumental #1) (Hendrix) 0:27
12. Angel (complete instrumental) (Hendrix) 4:45
13. Angel (intro instrumental #2) Hendrix) 0:35
14. Drifting (alternate take) (Hendrix) 3:41
15. Angel (alternate version complete with vocals) (Hendrix) 4:21
16. Belly Button Window (instrumental) (Hendrix) 5:11

CD 4:
1. Lover Man (Hendrix) 2:51
2. Message To Love (Hendrix) 3:34
3. Izabella (take 2) (Hendrix) 3:51
4. Bleeding Heart (blues in C sharp) (Hendrix) 3:26
5. Izabella (take 1) (Hendrix) 4:41
6. Blue Suede Shoes (Hendrix)11:36
7. Power of Soul (takes nos. 1 to 16) (Hendrix) 26:41

CD 5:
1. Bleeding Heart (Hendrix) 3:49
2. Rainy Day Dream Away (false start) (Hendrix) 0:54
3. Rainy Day Dream Away (practice session) (Hendrix) 2:19
4. Rainy Day Dream Away/Still Raining, Still Dreaming (Hendrix) 10:23
5. Send My Love To Linda/Live And Let Live (Hendrix) 11:04
6. Mannish Boy/I’m A Man (Waters/Diddley) 39:55

CD 6:
1. Cherokee Mist (Hendrix) 7:08
2. Jam H290 (Hendrix) 1:31
3. Voodoo Chile (Hendrix) 36:44
4. Ships Passing In The Night (Hendrix) 2:54
5. Calling All Devil’s Children Jam (Hendrix) 14:05

CD 7:
1. Jam including: Stepping Stone, Sending My Love To Linda, Freedom, Here Comes The Sun, Cherokee Mist, All Devils Children (Hendrix) 23:48
2. Closer To The Truth (Room Full Of Mirrors recital) (Hendrix) 22:04
3. Jam Back At The House (Hendrix) 5:45
4. Midnight, Valleys Of Neptune Arising (Hendrix) 14:53
5. Pride Of Man (Bolero) (Hendrix) 1:26
6. Pride Of Man (Bolero) (Hendrix) 2:18

CD 8:
1. Electric Church (Hendrix) 7:27
2. Hear My Freedom (Hendrix) 16:30
3. Honey Bed (Hendrix) 7:50
4. Room Full Of Mirrors (Hendrix) 2:31
5. All Along The Watchtower (Hendrix) 4:01
6. Ezy Rider (Hendrix) 4:21
7. Dolly Dagger (Hendrix) 4:02
8. South Saturn Delta (Hendrix) 5:49
9. Shame Shame Shame (Hendrix) 1:52
10. Gypsy Blood (Crying Blue Rain) (Hendrix) 2:36
11. Sunshine Of Your Love (Bruce/Brown/Clapton) 5:27

CD 9:
1. Angel (Hendrix) 3:18
2. 1983 (A Merman I Should Turn To Be) (Hendrix) 8:10
3. Astro Man/Valleys Of Neptune (Hendrix) 3:20
4. Gypsy Eyes (Hendrix) 2:38
5. Cherokee Mist (Hendrix) 3:12
6. Cherokee Mist/Gypsy Eyes (Hendrix) 12:12
7. Power Of Soul (Hendrix) 7:10
8. Long Hot Summer (Hendrix) 2:13
9. Long Hot Summer (Hendrix) 1:50
10. Hear My Train A Comin’ (Hendrix) 1:14
11. Hear My Train A Comin’ (Hendrix) 1:08
12. Gypsy Eyes (3rd take) (Hendrix) 3:28
13. Gypsy Eyes (riff) (Hendrix) 0:44
14. South Saturn Delta (Hendrix) 3:39
15. 3 Little Bears (Hendrix) 2:15
16. 1983 (A Merman I Should Turn To Be - instrumental) (Hendrix) 4:27
17. Acoustic Jam (Hendrix) 3:09

CD 10:
1. Hey Joe (Roberts) 3:08
2. Purple Haze (Hendrix) 3:02
3. Red House (Hendrix) 10:59
4. Crosstown Traffic (Hendrix) 2:29
5. Takin’ Care Of Business (Hendrix) 3:27
6. I Don’t Live Today (Hendrix)
7. Wind Cries Mary (Hendrix)
8. One Rainy Wish (alternate mix) (Hendrix) 3:56
9. La Poupee Qui Fait Non (Polnareff/Gerald) 3:31
10. 51st Anniversary (Hendrix) 3:22
11. 51st Anniversary (Hendrix) 5:14
12. Can You See Me (Hendrix) 8:47
13. Can You See Me (Hendrix) 2:38
14. Fire (Hendrix) 2:36
15. Fire (Hendrix) 7:38

LINKS:
(1) Jimi Hendrix In The Studio Vol. 1-10
(2) Jimi Hendrix In The Studio Vol. 1-10
(3) Jimi Hendrix In The Studio Vol. 1-10
(4) Jimi Hendrix In The Studio Vol. 1-10
(5) Jimi Hendrix In The Studio Vol. 1-10

And here is a copy & paste of the more detailed information for each volume (a volume equals a CD).  I did all of my normal file integrity checks and checked them with TLH creating the test results files too.  Look at the TLH CDDA Test file to see which CD's contain lossy material (like CD 10) and which are lossless (like CD 1).  Hopefully, the following information in the original and enclosed text file will assist anyone wanting more details on what is included here.

FULL INFO (copy & paste and long):

In The Studio – Volume 1:

The recordings featured in the first of the In The Studio series cover the time period May 1967 through to early 1968. Hendrix had blazed a trail across Europe performing at many concerts where his brand of musicianship, allied to a strong sense of showmanship drew acclaim and respect in equally large amounts.
More importantly Jimi had played at the Monterey Festival in the summer of 1967 where he was an unqualified success, stealing the show from bigger and more established performers.
During this period The Experience recorded two exceptional albums in Are You Experienced and Axis Bold As Love. In early 1968 he would begin work on the monumental double album that would become Electric Ladyland.
This album would be the final album from the original Experience but at this point in time Hendrix had also collaborated with many other musicians and Jack Cassidy of Jefferson Airplane, Dave Mason and Steve Winwood of Traffic and Al Kooper were just some of the people who guested on this landmark album.

*Wait Until Tomorrow
Recorded 26th October 1967 at Olympic Studios alternate mix using automatic double tracking on the vocal part.

*Spanish Castle Magic
Recorded 27th October 1967 at Olympic Studios.

*Golden Rose (One Rainy Wish)
Recorded 3rd October 1967 at Olympic Studios with overdubs on 29th October. This is a slightly longer alternate mix.

*Ain’t No Telling #1
Recorded 26th October 1967 at Olympic Studios this version includes rhythm guitar in a more central mix as opposed to at the side.

*South Saturn Delta
Recorded December 1967 at Olympic Studios with Dave Mason and an unknown drummer.

*Little One #1
Recorded 30th December 1967 at Olympic Studios with Brian Jones, Dave Mason and Mitch Mitchell.

*Little One #2
Recorded 30th December 1967 at Olympic Studios with Brian Jones, Dave Mason and Mitch Mitchell. This version has different bass parts and Dave Mason plays slide guitar on this version.

*Castles Made Of Sand
Recorded 29th October 1967 at Olympic Studios this is an alternate mix.

*Ain’t No Telling #2
The second take of this song, which runs pretty much as the first version although with this take is slightly longer.

*Shea's So Fine
Recorded 4th May 1967 at Olympic Studios 1967 with overdubs laid down on 30th October of that year. This is an alternate mix with different vocals by Noel Redding who wrote the song.

*Up From The Skies
*Recorded 29th October 1967 at Olympic Studios, this is an alternate mix with the vocals on one channel.

*Bold As Love
Recorded 29th October 1967 at Olympic Studios, this version has a totally different vocal take and an early fade out and does not have the phasing effect at the end.

*Little Miss Lover
Recorded 1st October 1967 at Olympic Studios this is an alternate take with a wolf-whistle at the beginning of the track.

*Waterfall (May This Be Love)
Recorded 3rd April 1967 at Olympic Studios, this is an alternate mix.

*Have You Ever Been (To Electric Ladyland)
Recorded in January 1968 at Olympic studios, this track features Jimi with an unknown musician (rumored to be Dave Mason of Traffic) on bass. Although the song would go on to appear on the Electric Ladyland album this session took place before the real sessions for Electric Ladyland began in New York in early April.

*Dream
Noel Redding penned track and featuring him on vocals. Recorded 20th December 1967 at Olympic Studios, was cut as an acetate with a single in mind but was never issued.

*Dance
Recorded 20th December 1967 at Olympic Studios featuring Mitch Mitchell on vocals.

********************************************************************************

In The Studio Volume 2:

The recordings featured on Volume 2 of the In The Studio series cover the time period April 1969 through to July 1970 less than two months before Jimi's death in September of the same year. During this period The Jimi Hendrix Experience had split at the end of one last tour following the final concert in Denver.
Jimi retained Mitch Mitchell but called on former army buddy Billy Cox to play bass. These two musicians along, with guitarist Larry Lee and percussionists Jerry Velez and Juma Sultan played the legendary Woodstock festival in August 1969. Shortly after that Jimi began a new project called The Band Of Gypsys.
This band featured Jimi alongside Billy Cox and drummer Buddy Miles. The band made its live debut in December 1969 at the Fillmore East, which resulted in a live self-titled album. The band however would last barely a handful of dates before falling apart in front of a large audience mid gig at Madison Square Garden.
As was Jimi's practice however The Band Of Gypsys recorded much material including a track featured on this album Machine Gun. Machine Gun had been a highlight of the live Band Of Gypsys's show and the studio version is no less of a highlight here with its extended solo and “Machine Gun” like drumming from Buddy Miles.
Much of the material featured on this album was recorded in New York's Record Plant or Hit Factory although with his eye on the studio clock and the old adage of “time is money” Jimi began work on his own recording studio where he would not be bound by the constraints of either. Electric Lady Studios opened with much fanfare in August 1970.
In fact the party continued until Jimi had to leave America to play what would be his final British concert date at the Isle Of Wight Festival.
One of the key tracks featured on Volume 2 of the In The Studio series is possibly one of the earliest recordings by The Band Of Gypsys. Machine Gun was recorded less than two weeks after Jimi's appearance at the Woodstock Festival. This recording also features Juma Sultan who had played with Hendrix at Woodstock.

*Valleys Of Neptune
23rd September 1969 at the Record Plant which was recorded while The Band Of Gypsys were rehearsing and putting material together. This take is without any noticeable bass.

*Lover Man
Recorded 6th September 1969. This is another recording to feature the Band of Gypsys. This version was recorded at the Hit Factory and was an instrumental take with Jimi's intro.

*Machine Gun
29th August 1969 Hit Factory. Another Band Of Gypsys recording. This is the first take of one of the most famous Jimi Hendrix songs which was seen as a comment on the situation taking place in Vietnam.

*Trying To Be (Stepping Stone)/Earth Blues
15th September 1969 at the Record Plant. Once again another recording with the Band of Gypsys This take also includes Juma Sultan on percussion. The end of this recording segues into Earth Blues.

*Stepping Stone
The basic track was laid down 3rd -7th January 1970 at the Record Plant and after much overdubbing and mixing was completed 15th February although Jimi was not satisfied and further work was undertaken right up to August 20th. This version has wah wah guitar effect coming through one speaker as opposed to the panning effect.

*Untitled Guitar Improvisation
Hendrix recorded many pieces like this improvisation perhaps for work on at a later date perhaps merely for the joy of playing. The exact date of this improvisation is unknown although it is thought to have been recorded in 1970 at the Electric Lady studios, which places it sometime in late summer.

*Keep On Grooving (Midnight Lightning)
17th April 1969 at the Record Plant this is a rough play through with Paul Caruso adding harmonica and Devon Wilson, Jimi's sometime girlfriend, on backing vocals. The relaxed nature of this recording would suggest that it was never considered as a final take.

*Come Down Hard On Me Baby
Recorded at Electric Lady Studios in July 1970 with Mitch Mitchell and Billy Cox and subsequently remixed by Alan Douglas after Hendrix's death.

*Drifters Escape
Recorded at Electric Lady Studios on 17th June 1970 with overdubbing done 22nd August with Mitch Mitchell and Billy Cox. This version has only one lead guitar part rather than the layered effect Jimi sometimes favored in the recording studio.

*Belly Button Window
Recorded on 23rd July 1970 at Electric Ladyland Studio with Billy Cox and Mitch Mitchell, this is an unused alternate instrumental version of the song that would eventually form part of the first posthumous Hendrix release, The Cry Of Love.

*Bolero
Recorded 1st July 1970 with Billy Cox, Mitch Mitchell and Juma Sultan at Electric Lady Studios. This track was also known as Here Comes The Sun.

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In The Studio Volume 3:

All the tracks contained in this volume of the In The Studio series were recorded at the new Electric Lady studio complex Hendrix had built in New York. Part of the money used to finance the building of the studio had been advanced by Warners on condition that the guitarist would appear in a film entitled Rainbow Bridge which was the brainchild of Jimi's manager Mike Jeffery.
This he agreed to do and Warners no doubt expected to receive a soundtrack album featuring Jimi's performance captured on film in Hawaii (to date no official release of the two sets Jimi that the band played has appeared).The Electric Lady studios were intended as a solid business proposition, as, although the studios would hired out for other recording sessions, it would in theory cut down on the considerable expenses Jimi was chalking up at his favourite New York studio, The Record Plant.
It was also thought that in his own studio there would be no time constraints and this would ultimately make Jimi more relaxed and creative. Whilst still not officially opened for business Jimi was regularly using the studio as soon as the equipment was installed, thus much of the studio material recorded in the final months of his life comes from sessions recorded there.
Of the many sessions that took place at Electric Lady in the summer of 1970 some of the tracks featured here such as Belly Button Window, Freedom, Angel and Drifting would eventually become key tracks on The Cry Of Love , instantly familiar to the many people who own the album. The versions presented here are of course works in progress, but the evolution of the songs (particularly Angel) can be heard in detail over the course of the three versions featured in this volume.
The session that took place on the 26th of June is interesting as Valleys Of Neptune was certainly a song Jimi wanted to include on the First Rays Of The New Rising Sun. The work that took place on this night in common with the night before, featured just Mitch Mitchell on drums and Jimi on guitar and later overdubbing bass. Subsequently however the song did not appear on any of the three albums (The Cry of Love, Voodoo Soup and The First Rays Of The New Rising Sun) that purported to represent the album Jimi was working on at the time of his death.
During the time that these sessions were recorded Jimi, Mitch and Billy were also performing regularly and while the studio didn't receive an official opening until the 26 August, Electric Lady almost became a second home for Jimi and his creative needs with sessions usually lasting well into the night. As befits the original idea of a double album, a great deal of material was recorded and some of it would undoubtedly have been included in the final running order of the First Rays Of The New Rising Sun although it is safe to assume that some of it would simply have been discarded or reworked later for other projects.
We will of course never know for sure. What is fascinating is the glimpse we do get of Jimi's recording methods on this album of sessions which in addition to the music also includes chat between and during the various takes between Jimi and the engineers and other musicians.

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In The Studio Volume 4:

The music contained on this, the fourth volume of the In The Studio series comes from the period 7th November 1969 through to May 1970. During this period Jimi became involved in what would turn out to be the short-lived Band Of Gypsies project that featured drummer Buddy Miles and bassist Billy Cox. Billy had been playing with Jimi since the break up of the original Experience following a concert in Denver in June 1969.
Many people have since claimed that The Band Of Gypsies were never meant to be a long term project but merely an opportunity to fulfill a contractual obligation. Whatever the reason halfway through an appearance at Madison Square garden in early 1970 the Band Of Gypsies broke up rather spectacularly and Jimi once again began working with Billy Cox and Mitch Mitchell.
Some of the key tracks recorded during this period would go on to appear in different forms on albums released following Jimi's death in September 1970 such as Rainbow Bridge, The Cry Of Love and Loose Ends.

*Lover Man
Recorded on the15th May 1970 this recording features Billy Cox on bass and Mitch Mitchell on drums. The engineer was Eddie Kramer assisted by Tom Flye.

*Message To Love
Recorded on the 19th December 1969. The band was Billy Cox on bass and Buddy Miles on drums The engineer was Bob Cotto and the 2nd engineer R. Beekman. This song was originally entitled Message To The Universe.

*Izabella (reel 4 take 2)
Recorded on the 7th November 1969 and engineered by Jack Adams and Dave Ragno. With no bass player, Hendrix and Buddy Miles ran through many takes of this track which ended with technical problems. A young Tony Bongiovi was ultimately sent for to sort out the problems

*Bleeding Heart (blues in C sharp)
This alternate mix comes from the session that too place on 24th March 1970. The band, which was the one to remain in place until Jimi's death in September of 1970, consisted of Billy Cox on bass and Mitch Mitchell on drums. The engineer was Jack Adams and the 2nd Engineer Dave Ragno. Only four versions of this song were ever recorded with the 4th take appearing on the Rainbow Bridge album. Originally recorded with an unknown drummer and no bassist, Billy Cox later joined the session but Mitch Mitchell's drums were recorded later at Electric Lady studios.

*Izabella (take 1)
Another take from the session listed above and featuring the same line up which lends the song a different feel from the version recorded with the Band Of Gypsies some four months previously.

*Blue Suede Shoes
This is the most complete version of the old Carl Perkins song. Another, shorter version of this song would eventually surface on the Loose Ends album. This version was recorded during the final days of the Band Of Gypsies on the 23rd January 1970 under the stewardship of engineer Bob Hughes and 2nd engineer Dave Ragno. The band here is Billy Cox on bass and Buddy Miles on Drums

*Power of Soul (takes 1 - 16)
This work I progress was recorded on the 21st November 1969. The Band Of Gypsies were deep into recordings and rehearsals for what would turn out to be their only major appearance at the Fillmore East at the end of the year Billy Cox. The engineer was Tony Bongiovi assisted by Tom Erdelyi. The song was originally called Paper Airplanes and has appeared listed on some bootlegs under this title. Interestingly, both Tommy Erdelyi and Tony Bongiovi would work together in the ‘70s when Tony produced the Ramones with Tommy, now known as Tommy Ramone, the Ramones drummer.

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In The Studio Volume 5:

The only place Jimi seemed to be able to relax was in the recording studio and his studio of choice certainly in New York was The Record Plant. It was at this particular studio that Jimi jammed with many artists including Stephen Stills, John McLaughlin and many others. McLaughlin's Devotion album was also recorded at The Record Plant by producer Alan Douglas a character destined to feature prominently in the guitarist's posthumous musical legacy.
The sessions featured on this particular volume of the In The Studio series are drawn from recordings made at The Record Plant. It was here that Jimi would spend not merely hours but sometimes days just playing and finding out just what the recording studio offered, and it could be said that Jimi regarded the studio as somewhat of a sound laboratory. The recordings contained in this volume cover the period between June 1968 when Jimi was recording material that would eventually be heard on the double album Electric Ladyland and April 1970 which was post Band Of Gypsys.
Throughout the performances you can hear a musician who is relaxed and enjoying the creation of music for the sake of it although, the burgeoning cost of studio time was certainly one of the considerations when Hendrix decided he wanted a studio of his own. No doubt manager Mike Jeffrey would have drawn attention pointed out the fiscal need for his own studio and also a place where he could record and play day and night of he so desired.
Starting with the opening track Bleeding Heart. This Elmore James song would eventually see a release almost two years after Jimi's death on the War Heroes album although certainly recorded at around the same time that material was being recorded for his next studio album a popular live song for the Experience who performed it live at The Albert Hall in 1969. This take was recorded on the 24th of March 1970 by Hendrix, supported by Cox, Mitchell and Juma Sultan on percussion, this version is a different mix from the master with the wah wah and vocals mixed low at the start and at the end.
There is a small drum break and some snippets of Jimi just messing around on guitar.
The next three tracks on this disc are versions of Rainy Day Dream Away and Rainy Day Dream Away/Still Raining Still Dreaming. All three come from an earlier session recorded on the 10th of June 1968 and eventually appeared on the Electric Ladyland album. Here we have the original run through with a false start and then the practice session. On the original Electric Ladyland album both the tracks Rainy Day Dream Away and Still Raining Still Dreaming were separate tracks but here the two tunes run together to make an extended version.
A dry alternate mix of Rainy Day Dream Away/Still Raining Still Dreaming recorded 10th June 68 featuring Jimi on guitar, Mike Finnegan on organ, Buddy Miles on drums, Freddie Smith on sax and Larry Faucette on percussion.
Stephen Stills and Hendrix crossed paths on a regular basis and Stills has subsequently expressed his love for both the man and his music. There was also the story that Jimi wanted Stephen Stills to play bass in his band following his return from Germany in the autumn of 1970. Although unfortunately it wasn't to be, this jam session is a small glimpse into what they could have achieved together.
Recorded around mid May 1969 we have takes 4 and 5 of Send My Love To Linda/ Live And Let Live Here Jimi is joined by Stills and Dallas Taylor who had both played on the soon to be massively popular debut from Crosby Stills and Nash. Both acts would subsequently make history when they appeared at the legendary Woodstock festival some three months later
The final track featured of this volume finds Jimi going back to his blues roots and covering Muddy Waters and Bo Diddley. Both artists held a massive influence over rock music in the late sixties and early seventies and Jimi Hendrix was equipped better than most to put a new spin on an old standard. Mannish Boy/ I ‘m A Man was recorded on the 22nd April 1970 with Billy Cox on bass and Devon Wilson and unknown guests on percussion and drums.
This is a peculiar session as three sections of the tape have been found but the whole session is still incomplete, this has been deduced by some composites that have been discovered that include parts that are missing from the original tapes.
This latest volume of the In The Studio series finds Jimi relaxed and in good form which is slightly surprising as during this period he was in high demand and the pressure on him, both in terms of what the public wanted but also his own personal creative aspirations, must have been a difficult road to walk.

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In The Studio Volume 6:

The sessions featured on Volume 6 of the In The Studio series are drawn from recordings made at The Record Plant in New York and were made between April 1968 when Jimi was recording material that would eventually be heard on the double album Electric Ladyland and May 1969 which was around the time of the break up of the original Experience and prior to Jimi's landmark appearance at the legendary Woodstock Festival in August 1969 Throughout the performances here you can hear a musician who is relaxed and enjoying the creation of music for the sheer sake of it.
The opening track on this album comes from the sessions that spawned the Electric Ladyland album although Cherokee Mist had first surfaced during sessions for the previous album Axis Bold As Love.
Recorded on 2nd May 1968 with Jimi playing the Sitar as well as guitar and featuring Mitch Mitchell on drums. This version is a different take and almost a minute longer than the version contained on the box set.
The next track entitled Jam H290 comes from the same session that produced Send My Love to Linda/Live And Let Live which features on Volume V of the In The Studio series. This rare jam was recorded in mid May 1969 with Stephen Stills on bass and Dallas Taylor on Drums.
Another song from the Electric Ladyland sessions was Voodoo Chile. The official version released on Electric Ladyland in 1968 ran to just over fifteen minutes. Here is a version in which, although more than double the length of the original, do the musicians become complacent or the energy dips The session started in the evening of 2nd May 1968 and features Jefferson Airplane bassist Jack Casady on bass Mitch Mitchell on drums and Traffic's Steve Winwood on keyboards.
The following two tracks have been drawn from sessions that have received scant appreciation from musicologists and Hendrix experts alike which is surprising when you consider the amount of recordings Jimi Hendrix made and how well these sessions were usually documented.
The first of these is Ships Passing In The Night. This was recorded on the 14th April 1969 Jimi with unknown musicians although the track is often accredited to the Band of Gypsys augmented by an a trumpeter and a pianist. The version featured here is an alternate mix. Whilst many believe this to be a Band of Gypsys number by this time the band had split following a disastrous performance at Madison Square Garden and the drummer is possibly Mitch Mitchell rather than Buddy Miles although this cannot be confirmed.
The final track featured in this volume of the In The Studio series is Calling all Devil's Children Jam Almost no information concerning this track exists save for the brief that Jimi Hendrix plays bass on this track and that it was more than probably recorded at The Record Plant at some point in 1968, possibly the same time as Look Over Yonder. As Noel Redding receives a co-credit it would seem natural to assume that he also took part in the recording although this cannot be confirmed.

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In The Studio Volume 7:

Between March 1969 and June 1970 Jimi Hendrix's life was frenetic on every level. During this period the original line up of The Experience split up following a concert in Denver in June 1969, a new band (Band Of Gypsys) was formed and disbanded and split the same band all within a few months (Band Of Gypsys). He was involved in a film (Rainbow Bridge) building his own studio (Electric Lady Studios), and as if all that wasn't enough, was trying to record a new studio album.
The recordings featured on this album are all drawn from one of the busiest and perhaps most stressful periods of Hendrix's life.

*Jam including: Stepping Stone, Sending My Love To Linda, Freedom, Here Comes The Sun, Cherokee Mist, Call All The Devil's Children.
This recording was made at Jimi's apartment at West 12th Street in Greenwich Village on 1st February 1970. In truth home recording sessions like this were common place with Jimi working out alternative arrangements and ideas for new songs. This session is an acoustic one, although both Mitch Mitchell and Billy Cox would drop in to add their contributions to the recordings. On this occasion it is Mitch Mitchell who underpins Jimi's acoustic jamming and can be heard clapping along and providing percussion throughout.
The jam is a light-hearted affair with Jimi and Mitch singing a snatch of Be Bop A Lula at the start of the tape when they are setting up the echo for Mitcha's clapping and percussive effects.

*Closer To The Truth (Room Full Of Mirrors recital).
This is another home recording although this time recorded at his British base in Brook Street, London on 10th March 1969. Earlier in the day Jimi had given an interview to the magazine International Times. The recording is a basic overdubbed recording hence Jimi's recital is panned over to the right hand side of the stereo divide. Whilst some of the words seem scripted, parts are obviously off the cuff bringing an air of spontaneity. The musical backing also drops out and comes back in again around the twelve minute mark giving the whole recording an experimental sound collage feel.

*Jam Back At the House
Recorded at Electric Lady studios on the 16th of June 1970. This was Jimi's first opportunity to record at his own studio Electric Lady studios. During a 3-day session, Hendrix laid down tracks (including this song) which had originally be rehearsed in the weeks leading up to the Woodstock performance in August 1969. Other musicians that had dropped by in the previous days were Traffic's Chris Wood and Steve Winwood although they don't appear on this session alongside Hendrix, Mitch Mitchell and Billy Cox.

*Midnight, Valleys Of Neptune Arising
Recorded at Olmstead studios New York on the 3rd of April 1969 This session features the song Midnight which had started life in Olympic Studios on the 14th of February under the title Midnight Lightning. The shortened version entitled just Midnight would eventually appear on the South Saturn Delta album.

The last two recordings on this album are short takes of Pride Of Man (Bolero) with the second take being almost one minute longer than this first. Having moved back to New York from Woodstock Jimi was recording at the Record Plant with the Gypsy Sons and Rainbows band. Feeling the band was played out despite only two gigs (Woodstock on the 18th of August and a benefit gig in Harlem on the 5th of September) he disbanded the group following a series of sessions including the one that produced this track recorded on the 24th September 1969. A projected tour was also cancelled as Jimi felt unable physically and mentally to perform. Shortly after, however, Jimi would start to play with Billy Cox and Buddy Miles in what would become the Band Of Gypsys.

*Pride of Man (Bolero)
Recorded 24th September 1969

Second slightly longer version of the above song recorded at the same session featuring Juma Sultan on percussion who featured on both takes alongside Jimi and Billy Cox.
Despite being drawn from the busiest period of Jimi's life bearing in mind that Jimi was also beginning to have doubts concerning his managerial contract with Mike Jeffery, the recordings here prove that artistically at least Jimi was still able to create music. In fact it is probably is desire and his ability to do this that kept Jimi on a (somewhat) even keel during this turbulent period of his life.

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In The Studio Volume 8:

The sessions featured in this volume date from between January 1968 and the sessions for what would turn out to be Electric Ladyland, the groundbreaking double album released in October ‘68 through to some of the last recordings Jimi would make in the summer of 1970 in his own Electric Lady studios.

*Electric Church
Jimi spent much of October 1968 in Los Angeles in the midst of a hectic touring schedule, recording or producing the Eire Apparent album and invariably playing one-off gigs. This song was recorded at TTG Hollywood studios 29th October 1968 with Buddy Miles & Lee Michaels on keyboards alongside Jimi, Noel and Mitch. The track is basically a jam although the Red House dies put in an appearance.

*Hear My Freedom
Recorded at TTG studios Hollywood 21st October 1968 with Buddy Miles & Lee Michaels on keyboards. Jimi had hooked up with Lee Michaels earlier in the month when he dropped in to catch a Michaels performance at the Whiskey A Go Go. This track was cut during a session which was also taken up with twenty seven versions of another song, Call All The Devil's Children

*Honey Bed
Recorded at the Record Plant on 23rd December 1969 with Billy Cox & Buddy Miles for possible inclusion on the proposed Band Of Gypsys studio album which ultimately failed to materialize. The song was a full attempt at recording and features elements of another song, Bleeding Heart.

Room Full Of Mirrors Recorded at Olympic studios 26th February 1969. This is an early version of the song featuring Mitch Mitchell & Noel Redding. Further attempts were made to nail this track in April and November of the same year. The released version was recorded in Nov ‘69 with the Band of Gypsies and the Ghetto Fighters line-ups at the Record Plant.

*All Along The Watchtower
Recorded at Olympic studios on 21 January 1968, this song would go on to be a huge worldwide hit and even Bob Dylan approved of the cover of one of his most successful songs. This is a basic early mix by Chas Chandler and includes contributions from Rolling Stone Brian Jones on percussion. Jimi plays bass and guitar with Mitch Mitchell on drums and Dave Mason of Traffic playing twelve string acoustic.

*Ezy Rider
This is an alternative mix of a song that would eventually find release on Jimi's first posthumous release, The Cry Of Love, with this recording dating from December the 18th 1969. This particular version however features the Band Of Gypsys line up of Jimi alongside Billy Cox and Buddy Miles. Recorded at The Record Plant this take features an alternative mix with different lyrics and extra guitar although extra guitar overdubs and vocals were recorded at Electric Lady studios during the summer of 1970

*Dolly Dagger
Another alternate mix. The basic track was recorded on the 1st of July 1970 at Electric Lady studios. The track was then overdubbed in mid July and again in mid August in what was possibly one of Jimi's last studio sessions before he died in September. The session featured Jimi Mitch and Billy with the Ghetto Fighters (Albert & Arthur Allen) on backing vocals. Juma Sultan also features on percussion.

*South Saturn Delta
Recorded Olympic Studios January 1968 during the Axis Bold As Love sessions. The horns were added by Larry Fallon at the Record Plant in June 1969

*Shame Shame Shame
Recorded 16th February 1969 at Olympic studios where a number of other songs were recorded including a prototype version of Ezy Ryder which was at the time entitled Slow. Overdubs were possibly added by Mitch and Noel in the ‘80s

*Gypsy Blood (Crying Blue Rain)
Recorded on the 16th of February 1969 at Olympic studios with Mitch Mitchell and Noel Redding making this one of the last sessions to feature the original line up of The Experience. The session also featured an unknown percussionist although it may well have been Rocky Dijon who had guested with the band at the Royal Albert Hall the previous month. This song was recorded during the same session that Shame Shame Shame and Sunshine Of Your Love were recorded.

*Sunshine Of Your Love
A long-time favourite of Jimi's who had also been a great admirer of Cream. Jimi decided to dedicate a spontaneous rendition of this song to Jack Bruce, Ginger Baker and Eric Clapton on a live version of the Lulu television show in January following Cream's disbanding the previous November. Perhaps it was this version of the song that made him decide to tape his own studio version of the song recording this version at Olympic Studios on the 16th February 1969.

This album once again proves that the recording studio really was the place where Jimi felt at ease and capable of creating music. The majority of the music featured here will be new to some more recent fans of the music of Jimi Hendrix but there is plenty here for the long time fan and the newcomer to savour and appreciate.

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In The Studio Volume 9:

It has often been said that Jimi Hendrix used to sleep with his guitar and although it is well known that he often enjoyed the company of more nubile bedfellows, it is fair to say that Hendrix was one of the most prolific artists of his generation. Many home recordings have come to light in the thirty five-plus years since his death in September 1970. Most of the recordings featured in this volume come from early 1968 when Jimi was in the process of working on the follow up to Axis Bold As Love.
The third album, which was released in October 1968, was the massively successful Electric Ladyland.
The double album was packed with Jimi's best material at the time and almost half the tracks included in this volume of In The Studio would go on to be more fully realised on what is now considered one of the best rock records of the era and an album that is often cited as being Hendrix's best work.
Whilst in New York Jimi would sometimes stay at the Drake hotel and of course would occasionally write material while staying there. Generally however he used his own apartment and the majority of the material featured here comes from recordings made at that location.

*The first track here is an early run through of Angel.
Despite being written in late 1967 and demoed here at the beginning of the following year in Jimi's New York apartment the song would not form part of the Electric Ladyland line up. Instead it would feature on Jimi's posthumous album The Cry Of Love. This version is a straight run through on electric guitar and Jimi's solo vocal.
The performance here finds the song already arranged and whilst missing the multi tracking that it would obviously benefit from in the studio the song is complete and is considered one of his best although quite why it was not considered for inclusion on Electric Ladyland is not clear.

*The next track, 1983 (A Merman I Should Turn To Be) eventually found its way on to the Electric Ladyland album.
This is the first of two versions featured here and another song originally recorded as a demo at the Drake Hotel in New York. This take was possibly recorded in the days before the second version (recorded on the 1st of February 1968) and while clocking in at around five minutes shorter than the version on Electric Ladyland the arrangements are all in place.
The start of the songs finds Hendrix strumming the chords on an un-amplified electric guitar although as the song progresses the guitar switches to an amplified guitar although still being played softly.


*Astro Man/Valleys Of Neptune
were recorded at Jimi's apartment in late August and early September ‘69 although neither song would be released in Jimi's lifetime. Astro Man would be recorded in spring of 1970 and eventually see the light on the posthumous The Cry Of Love album released in early 1971. The version Valleys Of Neptune here is just a short instrumental snippet although a more fully realised version would be recorded in May 1970.
However even then Jimi was to admit at the end of that particular recording that the song wasn't finished. This version then would appear to be the first attempt at the basic structure of the song.

*Gypsy Eyes
was another song that would go on to be included in the running order of Electric Ladyland. This volume features three versions of the song and four if you count a medley of it alongside Cherokee Mist. The versions collected here are the very rough home demos of the song although in the first version it is merely an instrumental take in order no doubt to get down the basic structure of the song.

*Cherokee Mist
is another previously unreleased Jimi Hendrix song although there is a version included in the Jimi Hendrix box which was captured at the Electric Lady studios in 1970 in between takes for Astro Man. The version featured here is the rough sketch of the song which is more of a rhythmic run through than the more finished song that was recorded more than two years later. It is from some of these rough sketches that Hendrix used to build other complete songs.
Cherokee Mist/Gypsy Eyes would be a case in point building on the previous version this version recorded in April is a more complete version complete with lyrics that would form part of the song Voodoo Chile. The song segues into Gypsy Eyes now complete with rough vocal lines towards the end of the song.

*Power Of Soul
was included in rehearsals for the Band Of Gypsys only full concert appearances at the Fillmore East over the New Year 1969-70 suggesting the song must have been written and demoed in late 1969. The song is very much in the style of the material the Band Of Gypsys would perform live and may have been considered a contender for a hoped for but never realised Band Of Gypsys studio album. Whilst an instrumental version this version musically has all the elements and arrangement in place of the familiar live version performed by the Band Of Gypsys.

*The next two tracks are versions of the song Long Hot Summer.
The song which formed a part of the Electric Ladyland album is featured here played on an acoustic twelve string with the song literally being written while Jimi plays it and works out the guitar parts and sings the occasional lyric. The second version stops abruptly after just under two minutes.

*Hear My Train A Comin'
was a song that Hendrix returned to time and again. He can be seen in the Experience movie performing the song on an acoustic guitar. The Experience also worked up an extended version of the song in Olympic Studios in early 1969. The two versions featured here date from April 1968 and are but short snippets of the song with both versions reaching just over one minute in length.
The lyrics in the second version are the ones that would eventually feature on the song Voodoo Chile.

*The next two tracks are two further versions of Gypsy Eyes and whilst the versions are similar Jimi was obviously working on something and was not happy to rest until he achieved what he heard in his head with the second version being a refinement of the riff that would feature in the finished song.

*South Saturn Delta
was another song written and recorded in early ‘68 although a more polished version does exist with a full band and brass arrangement, this try out is the basic song structure.

*Three Little Bears
was considered a throw-away track although surfacing on many bootlegs as part of various jams and also the B side of the Christmas single Little Drummer Boy.

*The second version of 1983 (A Merman I Should Turn To Be)
is half the length of the first version featured on this volume. Like the earlier version this was taped at the Drake Hotel in early 1968. This version suffers a false start before beginning again with more focus, featuring just Hendrix and his electric guitar.

*The final piece of music featured in this volume is an Acoustic Jam taped by Jimi at his apartment in Greenwich Village on 1st February 1970.
The jam features Jimi on an acoustic guitar and he is accompanied by Mitch Mitchell who is adding percussion by what seems to be slapping his thighs in accompaniment to Jimi's acoustic playing. The tape cuts out abruptly as Jimi stops playing for whatever reason.

Whilst Jimi would spend hours in the recording studio jamming and recording or refining ideas it would seem that he was just as active as a home taper and many of his best material started off from basic home recordings some of which are featured here.
What they do show is that Jimi Hendrix was an extremely prolific artist and also an artist one capable of turning even the most basic idea or riff into something rather special.

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In The Studio Volume 10:

As far as Jimi Hendrix was concerned England was his oyster in 1967. Transplanted from New York where he had been playing club dates to make ends meet in late 1966 Jimi was discovered by Chas Chandler and brought over to the UK in order to develop his career.
What many probably didn't realise (including Hendrix himself) was that Jimi's career would become one of the most influential careers of almost anyone in the rock business. Starting with the single Hey Joe in the previous year, 1967 looked like being the year that Jimi Hendrix became a huge star the world over.
Hard as it is to believe these days but Jimi Hendrix would record a string of singles and two massively selling studio albums in 1967 as well as playing countless concerts throughout the year including his career-altering appearance at the Monterey Festival.
The music featured on this album consists of previously unreleased and in some cases unheard of alternate takes of some of Jimi's music recorded and released in England during 1967.

*Hey Joe
was of course the debut single recorded at De Lane Lea studios in late ‘66 although, it would appear on the American version of Jimi's debut album Are You Experienced in 1967. This version is obviously a vocal tracking take with Jimi ad-libbing throughout and asking early on for more of his voice to be put into his headphones and the band lowered.
A different take from the single musically the intro being a little hesitant and the backing vocals by the Breakaways well to the fore on this mix.

*Purple Haze
was another hit single and the follow up to Hey Joe. Released early in 1967 the version we have here is an alternate take with Jimi laying down the vocals and the musical backing dropping in and out isolating his vocals which are again ad-libbed at times and somewhat more forceful during this session. Towards the end of the song you can hear a vocal overdub of Jimi repeating the phrase Purple Haze which was dropped from the eventual single release.

*Red House
was a popular blues song from the Are You Experienced album. This extended and relaxed version was more like the lengthy workout the Experience performed during live concerts rather than the three minutes plus version included on Are You Experienced. The song breaks down twice and Jimi can be heard talking back to Chas Chandler in the control room. Despite this breakdown of the song the band still manage to lengthen this particular take to almost twice the length of the version that originally appeared on Are You Experienced.

*Crosstown Traffic featured on Electric Ladyland and the B side of the single drawn from that album All Along The Watchtower.
This version is a different mix with the vocals more to the fore than on the final released mix. The backing vocals feature Mitch and Noel.

Takin' Care Of Business
is decidedly old time and quite at odds with the material Hendrix and the Experience were recording at the time and they certainly do seem to be enjoying themselves. Recorded at Olympic Studios on 4 May 1967 with Mitch Mitchell & Noel Redding. The sax was recorded at the same session and although not confirmed could even be Brian Jones of the Rolling Stones. The tuba, however, was added in the ‘80s for no apparent reason.

*I Don't Live Today
was recorded at De Lane Lea Studios 20th February 1967. These are three takes, two instrumental and one with two lead vocal tracks with the versions here being longer than the released version on Are You Experienced. With Jimi, Mitch Mitchell & Noel Redding having recorded the basic track it was decided to add more to the finished master and overdubs were done at Olympic studios.

*Wind Cries Mary
was the third single to come from The Experience. This was again recorded at the studio the band favoured in the early days, De Lane Lea, in January 1967 and featured the now established line up of Hendrix, Noel Redding and Mitch Mitchell who were well on the way to rock stardom after just their second single and a series of high profile club performances. This is an instrumental backing track although not the final single version.

*One Rainy Wish featured on the bands second album Axis Bold As Love.
Recorded by The Experience at Olympic on 3 October ‘67, this version is an alternate mix from the released album and features wider stereo panning which is particularly noticeable on the guitar overdubs.

*La Poupee Qui Fait Non
is a cover of a song written by French song writer and performer Michel Polnareff. Jimi and the Experience had supported French Rock star Johnny Halliday as one of their first live jaunts in October 1966. This cover was recorded in March 1967 possibly at De Lane Lea and was presumably earmarked for inclusion on Are You Experienced. This instrumental was as far as it went however and subsequently this recording has never been officially released. As an aside, Ronnie Wood's ‘60s band The Birds did manage to cover the tune before The Experience.

*51st Anniversary came from the sessions that produced the Are You Experienced album.
The two versions here feature an almost finished take but different from the released version. The second take is an instrumental version that breaks down a number of times while the band is trying to refine the arrangement.

*Can You See Me
is another track from Are You Experienced. However the first version featured here is an almost nine minute instrumental version. The original version is a mere two minutes thirty three seconds. The second version is a different take and whilst it sounds like a finished take is again just slightly longer than the released version. The vocal take, however, sounds like a finished take despite Jimi's request to do it one more time.

*The final tracks featured in this volume are more out-takes from Are You Experienced sessions.
In this instance the first alternate instrumental take of Fire remains true to the original released version. The second take however is an extended instrumental version which suffers a number of breakdowns before the band kick back in and Jimi lets fly with some literally incendiary soloing.

Jimi Hendrix exploded onto the scene in 1967 and through sheer hard work and an amazing run of singles and two breakthrough albums not to mention a serious amount of live work ensured that his career sped off on an elevation that was to prove both exciting and full of highs and lows. This trajectory would ultimately end with Jimi's premature death in September 1970 but 1967 in England was where the journey really began.

I hope you enjoy the studio recordings...

Bootradr

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